Today: Last chance to back us on Kickstarter!


Dear friends,

Gabrielle Revlock, photo by Kathryn Butler

I know we say this every year, but truly, this year’s festival was exceptional. And the reviews are rolling in — says Gabrielle Revlock’s performance “keeps [the] audience guessing and gasping” and describes Victoria Libertore’s as “masterful” and “moving and effective performance”. Thank you again for all your support!

But the work continues.

Putting together a yearly festival is a lot of work and while we were running it we fundraised quite a bit, but not enough.

Our Kickstarter ends today, Friday, June 15th at 11:59 PM. We won’t be funded unless we reach our $10,000 goal. We have a generous donor who has agreed to match your donations 1:1.

DON’T WAIT!!! Now is the time to have your contribution doubled – be quick and be generous.

Karen Bernard

PS: Great perks are still available! Read more

Thank you for an amazing festival!

Thanks to all who made Performance Mix Festival: 32 a success: the performers from near and far, tech crews, University Settlement, and of course our audiences!

We hope to see all of you back next year!

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Last day of Performance Mix Festival: All Day Extravaganza!

Performance Mix Festival 32 logo

Final day of Performance Mix Festival: 32: All Day Extravaganza

Fire sale – $20 – hot hot hot!

1 PM Performance

Anna Rogovoy, Daniel Gwirtzman Dance Company, João Costa Espinho Read more

Performance Mix Festival is a top pick!

Performance Mix Festival 32 logo

Performance Mix Festival is a Top Pick!

Performance Mix Festival has been selected as a top pick by The New York Times, The Village Voice, Time Out New York and Dance Enthusiast – it’s not to be missed!

Tonight at Performance Mix Festival

Stranger Danger: unraveling the dark side of the psyche || 7 PM

Anna Rogovoy

How difficult is it for one body, created and performed by Anna Rogovoy, is one white Jewish woman’s perspective on otherness and displacement, underscoring the importance of bodily autonomy via rigorous durational movement tasks and oral histories.

Daniel Gwirtzman Dance Company

Daniel Gwirtzman Dance Company, which is celebrating its 20th anniversary this year, will present Affront, a quartet that explores the tipping point when intimacy crosses into violence, peeking into the darker side of relationships and the pressures, dangers, and abuses that can arise. The movement language alternates between relaxed pedestrianism and razor-sharp precision.

João Costa Espinho

João Costa Espinho’s Simon explores the interior journey of a man who is questioning himself as a specie. He wants to be something else. He wants to be a “thing.” Any “thing.” A less human “thing.” Simon is a strange dialogue between himself and his idea of imperfection, between himself and his own strangeness.
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