PM 36 Wrap-Up

Daina Ashbee, photo: Vanessa Fortin. SHA Creative Outlet, photo: Kathryn Butler. Julio Medina, photo: Matt Spaugh. Mariam Dingilian, photo: Kathryn Butler.

This June, we presented numerous indoor and outdoor performances as part of our 36th Annual Performance Mix Festival held at Abrons Arts Center, as part of the @Abrons Series. The festival featured 12 shows between Thursday and Sunday, featuring work from more than 35 artists. We saw a variety of exciting and innovative works from New York-based and international artists. Thank you so much to everyone who helped make this weekend successful!

“All in all, a thoroughly entertaining night at a performance festival whose work feels necessary, not only for an audience but also for the development of the presenting artists.”

Noah Witke Mele, Eye on Dance

Images from PM36

binbinFactory/Satoshi Haga & Rie Fukuzawa, Going to point B, photo: Shannon Yu @imageworkshannon. The Pocket Fuel Groovers, Headnod Scrimmage: Swoon, photo: Kathryn Butler. Xan Burley + Alex Springer, parts, photo: Kathryn Butler. gorno (Glenn Potter-Takata), Yonsei yeah yeah, photo: Kathryn Butler. Bob Eisen, I Was There, photo: Shannon Yu @imageworkshannon. ChristinaNoel & The Creature, Funnel of Love, photo: Kathryn Butler.

See more photos and videos on our INSTAGRAM page!

Reviews of PM36

All quotes from Noah Witke Mele in Eye on Dance:

Photo description: David Lee Sierra, a white trans woman in black leather and silver chainmail lingerie, suspends taught across the bars of a yellow construction scaffold, 10 inch platform heels mobilized as footholds and 22 inch platinum wig hanging from her outwardly turned head. Photo credit: David Lee Sierra, Public Structures of Feeling, photo: Shannon Yu @imageworkshannon.

“David Lee Sierra opened with Public Structures of Feeling, a rich and disturbing endurance performance… Pounding techno music and droning synthesizers accompanied Sierra mounting a piece of scaffolding, where she found precarious balances and excruciating holds tangled among the bars.”

Nicole Y. McClam and Azure D. Osborne-Lee in Kayla Hamilton’s How to Bend Down/How to Pick It Up, photo: Shannon Yu @imageworkshannon.

“Striking moments included a verbally guided dance solo that evolved with the inflection of the repeated choreographic directions and the final dance, set to Lead Belly’s “Pick a Bale of Cotton”, that had the dancers executing repetitious motions as they moved up and down the stage.”

Blaze Ferrer and Justin Faircloth in Blaze Ferrer’s Diamond Desert Cuck, photo: Shannon Yu @imageworkshannon.

“In the performance’s climactic moment, a shining cape was lifted into the air by a fan. The billowing fabric evoked a queer jellyfish, under which a dancer churned and rolled about the floor.”

Thank you to our funders!

Bernstein Family Foundation, Cultural Services of the Quebec Government, Harkness Foundation for Dance, New York City Department of Cultural Affairs, The Consulate General of Canada in New York, Cultural Services of the Quebec Government Office in New York, National Endowment for the Arts, and Mertz-Gilmore Foundation.

Thank you to our Leadership Circle and Friends of NDA!

Leadership Circle: Caterina Bartha, Mollie O’Brien, Robert Knowles, Thea Little, Fernando Maneca, Helen Mills and Gary Tannenbaum, Lisa Parra and Tim Fujiko, David Shapiro and Ellen Rubin, Don Shea and Diana Freedman-Shea, Jill and Patrick Rousseau, Ellynne Skove, Cornelia T. Winthrop.

Friends of NDA: Arthur Aviles, Barbara Bryan, Karen Carr, Contact Quarterly, Diana Crum, Charles Dennis, Ori Flomin, Bonita Franklin, Rie Fukuzawa, Wendy Greene, Jil Guyon, Barbara Mahler, Jackie Margolis, Judith and Steven Mathews, Johanna Meiers and Aaron Landsman, Maja Lorkovic, Jackie Margolis, Judith Miller, Emily Morrison,  Denisa Musilova, Susie Nielson, Doug Post, Emma Rivera, Betsy Ryan, Janet Stapleton, Brianna Taylor, Rosie Trump, Christopher “Unpezverde” Núñez, Helene Bass-Wichelhaus, Alex Wixon, Cydney Wixon, and Travis DeMello, and Nathaniel Wixon.

Next up

Performing photo credit: Walter Wlodarczyk, courtesy of The Immigrant Artist Biennial. Performing photo image description: Christopher holds a broken pink remote control car. He wears a pink hoodie highly decorated with stickers and pet toys. | Photo credit: Lisa Parra. Image description: A black and white image of a woman sitting on a chair with her hands between her legs in an empty studio. Her face is partially blurred. Her hair is black and short. She is wearing a long white dress.

NDA in collaboration with FARM Projects presents WORKSESSION 2.0, an event that supports experimental dance and interdisciplinary performance. This event includes a film screening of Garden in the Shape of Dreams, by visually impaired immigrant choreographer and educator Christopher “Unpezverde” Núñez. The film will be followed with a dance performance by Lisa Parra, a creator of body image, identity and the effects that ritual, culture and language have on movement.

A discussion with both Parra and Núñez will complete the program. Exploring the parallels between memory, erasure, and immigration as embodying identities, Lisa and Christopher use digital and analog technologies as a reference point to create post-colonial portraits. These portraits are influenced by cultural surroundings and orientation generating works that use archival materials to re-imagine and trace physical, social and political histories.

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