We need $2,000 to meet our goal with 15 days left.
A holla out to recent donors Kip Keene, Jody Oberfelder and Satoshi Haga, who have gotten us one third nearer to our goal. Your donations will go towards performers’ rehearsal and performance fees.
Reperformance of “Footsteps on the…” created and performed by Karen Bernard in 1993 with costume by Liz Prince and deconstructed popular music by Brooks Williams. Reperformance is by Stacy Lynn Smith. Read more
Original “Work” created and performed by Karen Bernard in 1993. Reperformance is by Donna Costello with costume by Liz Prince and music by Wendy Chambers.
“I relate to the constant one direction focus one has in life with what needs to be done and the hardship, the repetitiveness, the resignation and even the joy in it all. I feel like I have only scratched the surface of where the piece can take me and I look forward to this last month of rehearsal to find my own journey along Karen’s path.”
—Donna Costello Read more
Since over 25% of the minimum goal has been raised thus far, we’re eligible for a matching donation program:
All donations made today, Monday, August 25th to Karen Bernard/Solo’s campaign, 1993-1996 It Could Have Been Different / Suspending and Other Tricks will be matched by Hatchfund (up to $225) as part of their Match 25 Challenge Fund program!
Donate nowIf you’ve been wanting to donate, this is a great time – make your dollars go further by donating today during the matching period! Remember, the matching offer will only be good until 11:59 PM EDT Monday, August 25th.
I’ve launched a Hatchfund campaign to raise funds for rehearsal and performance fees for 1993-1996 It Could Have Been Different to be presented at Triskelion Arts October 17 and 19 at 8 PM.
Join us for opening night to honor costume designer Liz Prince.
Save the date and please take a look at the campaign and consider backing the project.
Maho Ogawa, photo by Elyse Mertz
“I am honored to have performed at the Performance Mix 37…PMF plays a very inspiring, influential, and unique role in redefining the role of theater and performance art in society. I hope we continue to think about how this festival means so much not only for dance fans/ students, but for art lovers and the general public.”
– Maho Ogawa
New Dance Alliance
182 Duane Street
New York, NY 10013
(646) 510-1824
All venues are wheelchair accessible.
