Annie Heath by Cameron Kelly McLeod
“I’m really glad that Performance Mix #34: Remotely Yours turned out to be so productive for me. I was able to wrap my head around the ideas that were all circling in my head.”
–Annie Heath
Performance Mix Review in Manhattan Dance Examiner p2
“The third piece in the concert, Elbow Tow Blues, started out with a fan blowing. A woman, Brynne Billingsley, set herself up in the blackout wearing an enormous costume. When the lights went up her upper body was hidden, only exposing a giant skirt suspended up by the air produced by the fan, looking like a jellyfish.
In this chapter, the artists Brynne Billingsley and Josh Beamish were reviewed.”
Megan Boyd
Manhattan Dance Examiner
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Read MorePerformance Mix Review in Manhattan Dance Examiner p3
“Dead Dog Song, by Ashley Anderson, was a uniquely compelling duet. It opened with two dancers on stage, quietly present and physically still. One dancer began moving closer to the other dancer on stage. Her movements were like liquid.”
In this chapter, the artists Ashley Anderson and Jody Sperling were reviewed.
Megan Boyd
Manhattan Dance Examiner
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Read MorePERFORMANCE MIX ARTICLE IN NEW YORK PUDDING
“Starting today, Tuesday April 13, some of the most innovative dance from around the world will make its way to New York City, as New Dance Alliance hosts the Performance Mix Festival at the Joyce Soho…“I love it when audience walk away saying – ‘is this dance?’” says Bernard. Indeed, as dance moves into the future, the lines between dance, video, theater, visual art, music, and beyond are being blurred. This prospect is exciting and promising for artists, as it creates endless possibilities.” READ MORE
Read MorePERFORMANCE MIX IN THE BROOKLYN RAIL
“A model of survival in good times and bad, the Performance Mix Festival returns in its 24th incarnation to New York this April, despite a recession that’s meant cutbacks this year of about $7000. “For a festival our size, that’s a lot of moneys,” says producer/curator and New Dance Alliance Director Karen Bernard. Never mind. This year’s event brings together a raucous mix of over 30 artists, known and unknown, with an emphasis on the interdisciplinary and the in-between, and continues to hone its service mission of providing rehearsal space, marketing help and chances for networking and touring.” READ MORE – THE BROOKLYN RAIL
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All venues are wheelchair accessible.
